All Gear
29 results
Marshall JCM800 2203
Marshall Amplification · 1981
The amp that defined hard rock and heavy metal in the 1980s.
Marshall JCM800 (Modified)
Marshall Amplification · 1981
Two modified JCM800 circuits sharing a tremolo platform — one voiced for guitar, one for bass.
Fender Deluxe Reverb
Fender Musical Instruments · 1963
The definitive American clean tone — warm, chimey, and touch-sensitive.
Fender '59 Bassman
Fender Musical Instruments · 1959
The tweed amp that launched a thousand British amps — and blues guitar.
Fender Twin Reverb "Blackface"
Fender Musical Instruments · 1965
The loudest clean amp in rock history. Built for stages, beloved by pedal players.
Ampeg SVT 300W
Ampeg · 1969
The bass amplifier that defines arena rock. 300 watts of pure authority.
Ampeg Portaflex B-15N
Ampeg · 1960
The flip-top studio bass amp. Heard on more Motown records than any other amp.
Soldano SLO-100
Soldano Custom Amplification · 1987
The boutique high-gain amp that set the standard — before Mesa was everywhere.
Peavey 3120
Peavey Electronics · 2007
Three channels, 120 watts, and more gain than you'll ever need.
Ibanez Tube Screamer TS808
Ibanez (Maxon) · 1979
The mid-push overdrive that works with everything.
MXR Timmy
MXR (based on Paul Cochrane Timmy) · 2019
The most transparent overdrive that isn't actually transparent.
MXR Duke of Tone
MXR (based on Analog Man King of Tone) · 2022
One half of the legendary King of Tone — finally available without a 10-year waitlist.
JHS Morning Glory
JHS Pedals · 2010
JHS's take on the Bluesbreaker — musical, dynamic, and slightly British.
Klon Centaur
Klon (Bill Finnegan) · 1994
The most mythologized pedal in history. The sound is real — the price isn't justified.
Providence DBS-1 Bass EQ
Providence · 2005
A surgical parametric EQ for bass — shape the low end without coloring the signal.
MXR M108 Ten Band EQ
MXR · 1975
Ten sliders, total control. The graphic EQ that engineers trust on stage.
Avid Dynamic III Compressor
Avid · 2002
A Pro Tools studio compressor modeled as a Headrush effect — studio dynamics in a patch.
Moog MoogerFooger MF-104M Analog Delay
Moog Music · 2001
The warmest analog delay ever made — bucket-brigade at its most musical.
Fender Spring Reverb
Fender Musical Instruments · 1961
The splash and drip of classic American spring reverb — surf, country, and everything in between.
Boss Waza Craft DC-2W Dimension C
Boss · 2016
The legendary Dimension C effect, reborn. Subtle, spatial, and impossible to describe.
MXR Phase 90
MXR · 1974
The phase shifter that defined classic rock. One knob. Fifty years of use.
Dunlop Crybaby 105Q Bass Wah
Dunlop Manufacturing · 1997
A wah designed for bass — keeps the low end intact while the upper harmonics cry.
DigiTech Whammy (Classic)
DigiTech · 1990
The pitch pedal that Rage Against the Machine and Tom Morello made iconic.
Rocktron HUSH
Rocktron · 1987
The industry-standard noise gate that cleaned up high-gain rigs for a generation.
Marshall 1960A
Marshall Amplification · 1966
The 4×12 that built rock — slanted, loud, and unmistakable.
Ampeg SVT Blueline 8×10 (Towel Bar)
Ampeg · 1969
Eight tens, a freight elevator, and no compromises. The bass cabinet of arena rock.
Marshall 4×12 20W (Celestion G12-M Greenback)
Marshall Amplification · 1966
The Greenback cabinet. Warm, complex, and the voice of British classic rock.
Fender Super Reverb "Blackface" 4×10 (CTS Alnico)
Fender Musical Instruments · 1965
Four CTS Alnico tens in an open-back combo — the voice of Texas blues.
Shure SM57
Shure · 1965
The standard guitar cab mic. Used on more records than any other.