Boss Waza Craft DC-2W Dimension C
Boss · 2016
What It Is
The Boss Waza Craft DC-2W is a premium re-release of the original Boss DC-2 Dimension C (1985), which was itself a pedal version of the Roland Dimension D rack unit. The Dimension C does something difficult to classify — it's not quite chorus, not quite flanger, not quite phase shifting. It creates a subtle widening effect by layering a tiny pitch shift with a short delay behind the scenes — the result sounds like neither effect on its own. It just sounds bigger. It has no continuous knobs — only four buttons that select preset modes (1, 2, 3, 4, or combinations). The Waza Craft version adds an extra circuit board and slightly different voicing.
Tonal Character
Adds width and dimension without obvious modulation wobble. Modes 1–2 are subtle — barely there as an effect, more like the signal opened up. Modes 3–4 are more present — a slow, wide chorus with a dreamy quality. Pressing multiple buttons simultaneously creates hybrid modes. It doesn't have the obvious 'warbling' of a typical chorus. It sounds like your guitar is being played in a larger space. Exceptional on clean tones.
Found In
| Platform | Model Names |
|---|---|
| HeadRush | Dim Chorus |
Videos
Manual
View ManualFamous Uses
- →Andy Summers — The Police (Roland Dimension D rack unit, same circuit)
- →Johnny Marr — The Smiths (Boss chorus/Dimension-type)
Best For
Controls Explained
Descriptions reflect the real-world gear these models are inspired by. Your modeler's implementation may vary. Use as a starting point — always trust your ears.
Mode 1
The subtlest mode — produces a barely perceptible widening effect. The signal feels slightly more three-dimensional and open, but no obvious modulation is audible. This is the mode to use when you want the Dimension C character present without it being identifiable as a modulation effect. Extremely effective on clean rhythm tones where you want polish without obvious processing.
Mode 2
Slightly more width than Mode 1 — the spatial widening is a touch more pronounced. Still very subtle in absolute terms. A good choice for lead tones where you want a hint of dimension without the modulation becoming distracting. Mode 2 paired with light reverb produces a particularly musical combination for clean and light overdrive tones.
Mode 3
The first mode where the modulation effect becomes clearly audible — a slow, dreamy widening that is distinctly chorus-like but smoother and more spatial than typical chorus pedals. This is the most versatile 'active effect' mode. Mode 3 is what many players think of as the signature Dimension C sound — wide, lush, and slightly ethereal. Works well with clean and light overdrive at moderate to fast tempos.
Mode 4
The most pronounced effect — the widest, most dramatic Dimension C voicing. The modulation is slow but deep, producing the most obviously processed sound of the four modes. Excellent for ambient and textural playing. At higher gain settings or faster playing, Mode 4 can become a bit overwhelming — it works best with sustained chords and single notes rather than busy rhythm parts.
Sample Configurations
Starting points for common tones — dial in from here.
| Name | Mode | Notes |
|---|---|---|
| Always On Polish | 1 | Mode 1. Nearly inaudible — adds subtle 3D quality to any clean tone. |
| Lead Dimension | 2 | Mode 2. Slightly more width. Good behind single-note leads. |
| Lush Chorus | 3 | Mode 3. The signature Dimension C sound — wide, dreamy, and distinctly spatial. |